Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. We wanted to set a precedent because it was not about some exclusive fonts that would be used for achieving professional or business goals. The specialists had to review all the font characters coming in 48 sizes, and manually correct all of the areas where pixels stuck to each other, symmetry was broken, and other faults could be seen. The licence mentioned above the download button is just an indication. This restriction only applies to the primary font name as presented to the users. Simultaneously, the old eight styles were partly revised to match the whole family. Currently, the Russian Federation is establishing and regulating the use of national languages and developing and adopting regional laws on languages, and it is inevitable that this process should be accompanied by the appearance of publicly available national fonts of professional quality.
Licenses We believe that our license document is short, simple, and clear. These do not limit but extend the possibilities for using the font. The fonts and derivatives, however, cannot be released under any other type of license. This is a sans serif face based on geometrical shapes, representative of the aesthetics Futura was designed for Bauer company in 1927 by Paul Renner. It consists of six styles: regular and bold weights with corresponding italics form a standard computer font family; two caption styles regular and italic are for texts of small point sizes.
The licence mentioned above the download button is just an indication. This version has been updated with an expanded Cyrillic font. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives. These basic styles are designed for typography of various documents, both in hard and soft copies. The fonts and derivatives, however, cannot be released under any other type of license.
Nevertheless, these scripts have existed for more than 70 years, and there are local typographic practices that at least deserve to be respected. A free commonly available font with full support for national scripts not only allows the needs of education, culture, the press, state institutions, and business to be met, but also, more importantly, enables the residents of national republics to communicate by e-mail in their native language and develop their national resources on the Internet. It consists of 8 styles: regular and bold weights with corresponding italics form a standard computer font family; two narrow styles regular and bold are intended for documents that require tight set; two caption styles regular and bold are for texts of small point sizes. Each font contains about 1,400 characters including small caps for all the alphabetic characters, several sets of regular and minuscule numbers, indices, fractions, and so on. In the territory of Russia, there are more than 70 actively used languages based on the Cyrillic alphabet. From the middle of October, four, and sometimes even five, people were involved in this work. All the correspondence and interaction with the Federal Agency on Press and Mass Communications Rospechat was handled by Sergey Bobryshev.
Along with restrictions on their use, the Cyrillic character set these Western fonts have is usually not very good from a design point of view: although they are suitable for a computer screen, they are often completely unsuitable when it comes to typography, communication design, and other everyday needs. The design combines traditional conservative appearance with modern trends of humanistic sans serif and characterized by enhanced legibility. The requirement for fonts to remain under this license does not apply to any document created using the Font Software. Please look at the readme-files in the archives or check the indicated author's website for details, and contact him if in doubt. The design combines traditional conservative appearance with modern trends of humanistic sans serif and characterized by enhanced legibility.
Gennady Fridman and Boris Levin helped Sergey and Vladimir to understand, process, and filter the entire volume of data and to develop a character-set standard. Mentioned characteristics beside conventional use in business applications and printed stuff make the fonts quite useable for advertising and display typography. The fonts next to standard Latin and Cyrillic character sets contain signs of title languages of the national republics of Russian Federation and support the most of the languages of neighboring countries. For example, if it is distributed with Windows, it will have the license that also applies to other fonts supplied with the system. The type design is distinguishable by a large x-height, modest stroke contrast, robust slightly convex wedge-like serifs, and triangular terminals. We could meet all but the last requirement, and only a slight problem remained: convincing the government to fund the design work.
This may include source files, build scripts and documentation. Besides, this font will probably be distributed with other licenses as well. This restriction only applies to the primary font name as presented to the users. We planned the work itself for 2009, which gave us an opportunity to discuss, prepare, and plan all the project stages. The first files appeared in the early summer when the contract with the government had been signed. This restriction only applies to the primary font name as presented to the users.
This may include source files, build scripts and documentation. Design - Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov. This restriction only applies to the primary font name as presented to the users. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Fortunately enough, the lead project designer was chosen very quickly, which was unexpected.